Steven D. Block was born in New York City on November 5, 1952. He is currently Dean of the College of Fine Arts at the University of Texas – Rio Grande Valley after having served as Chair of the Department of Music at the University of New Mexico for 17 years. As Dean, he is building new Arts programs, including that of the School of Music, from two separate legacy campuses. Block has appeared in the various personae of composer, music theorist, music critic, pianist, and both classical radio and disco d.j., among others. His compositions have been performed worldwide including performances in Australia, Paris, and Poland. His articles as a music theorist and music critic have appeared in such journals and magazines as Perspectives of New Music, Integrales, Music Theory Spectrum, the Journal of Music Theory, the Annual Review of Jazz Studies, Music Library Notes, and High Fidelity.

Block has studied with some of the most innovative composers and theorists in the world including David Stock, a pioneer in the promotion of contemporary music; Robert Morris, one of the leading contemporary music theorists and composers; A. Wayne Slawson, who has led the exploration of timbre as a musical component; and the internationally known and important late composers Franco Donatoni and Luciano Berio.

“His skillful use of tuned percussion gives several passages a gamelan-like quality reminiscent of Messaien. The long-note passages…and their harmonic suspensions are wonderful. I impatiently await the completion of this Symphony” —William Zagorski, Fanfare

Albums

Intersections

Release Date: October 14, 2016
Catalog Number: AR0002
21st Century
Cuban
Orchestral
Clarinet
Orchestra
Trumpet
This exquisitely produced album embodies the beautiful art whose creation has been enabled by the newly opened cultural exchange between the United States and Cuba. Through a collection of intriguing compositions by American and American-based composers, INTERSECTIONS showcases the talents of Cuban musicians in a variety of large ensemble and chamber settings. Moreover, the pieces in the album’s contents are replete with symbols that touch on the promise of this new beginning in American-Cuban relations, and suggest some of the darkness that preceded it.
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