A native of Texas, Mel Mobley (b. 1966) currently resides and teaches in Monroe, Louisiana. He holds degrees from the University of Texas, University of South Florida, and University of Illinois. Active as a performer, composer, and advocate of new music, Mel has been involved in new music festivals and performances all around the country. Performed here and abroad, his works include orchestral, band, chamber, choral, and electronic music. His largest work to date, a chamber opera titled Sylvan Beach, premiered in the spring of 2010. His percussion trio with piano titled [pleez], (plez), /pliz/ was released on the 2013 Revello Records compact disc, Piano Concerti with Percussion Orchestra.

Commissions include Tributaries (Louisiana Music Teachers Association), Concerto for Wood (Monroe Symphony Orchestra), [pleez], (plez), /pliz/ (Three-Headed Monster), and multiple individual commissions. His recent collaborations with dancer Tina Mullone have worked to break down the barrier between dancer and musician as well as between live and recorded performance.  His compositions seek to inspire varied and new interpretations of the possibilities of music/art from both performers and audiences.  Mel was the 2014 Louisiana Music Teachers Association (LMTA) commissioned composer of the year and has had recent premieres performed by the Monroe Symphony Orchestra, The Black Bayou Brass Trio, and the ULM Wind Ensemble.

Dr. Mobley is the head of music composition and theory at the University of Louisiana at Monroe where he currently holds the Biedenharn Endowed Professorship in Music. He is an active member of the Louisiana chapter of the National Composer’s Association, USA (NACUSA) as well as a member of the Louisiana Composers’ Consortium (LCC), the Southeastern Composers’ League (SCL), the Society for Electro-Acoustic Music (SEAMUS), and the American Society of Composers, Authors, and Publishers (ASCAP).


Abrazo: The Havana Sessions

Release Date: June 10, 2016
Catalog Number: AR0001
21st Century
In November 2015, less than one year after these initial steps toward fully opening relations, PARMA Recordings produced the first of its recording projects in Havana. The resulting album, ABRAZO: THE HAVANA SESSIONS on the newly-minted Ansonica Records label, presents works for big band, small jazz combo, choir, and chamber ensembles by composers Bunny Beck, Roger Bourland, Don Bowyer, Margaret Brandman, John Carollo, Timothy Miller, Mel Mobley, and Michael Murray performed by current or former members of the National Symphony Orchestra of Cuba, the Buena Vista Social Club, Irakere, and many more.

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