Jeffrey Jacob Composer

In August 2020, Jeffrey Jacob was named Composer-in-Residence with the Philadelphia Virtuosi Chamber Orchestra. He has written six symphonies, three piano concertos, three string quartets, and numerous works for piano and chamber ensemble. Raymond Leppard and the Indianapolis Symphony premiered his Symphony: Winter Lightning. The London Symphony recorded his Symphony No. 3. The Moscow and St. Petersburg Symphonies premiered respectively his Piano Concertos 1 and 2 with the composer as soloist. The Gregg Smith Singers premiered his Sleeping At Last for mixed chorus and solo cello. Jacob’s Persistence of Memory was premiered by the Cleveland Chamber Symphony at the 1999 College Music Society National Convention and was selected by the Charles Ives Center for American Music for a performance by the Charleston Symphony at the 2002 Spoleto Festival. Other works have been premiered and recorded by the Orquesta de Baja California, the Chamber Orchestra of the Rhein, the North Czech and Moravian Philharmonics, the Cavani and New England Quartets, and sopranos Mary Nessinger and Laurel Thomas. Three albums of Jacob’s orchestral music have been released by Centaur Records, Vienna Modern Masters, and Navona Records.

As a pianist, Jacob has been described by the Warsaw Music Journal as “unquestionably one of the greatest performers of 20th century music,” and the New York Times as “an artist of intense concentration and conviction.” Jacob received his education from the Juilliard School (Master of Music) and the Peabody Conservatory (Doctorate) and counts as his principal teachers Mieczyslaw Munz, Carlo Zecchi, and Leon Fleisher. Since his debut with the London Philharmonic in Royal Festival Hall, he has appeared as piano soloist with over 25 orchestras internationally including the Moscow, St. Petersburg, Seattle, Portland, Indianapolis, Charleston, Saõ Paulo, and Brazil National Symphonies, the Silesian, Moravian, North Czech, and Royal Queenstown Philharmonics, and recently the London Symphony, New Jersey Philharmonic, The Cuban National Symphony, and the Royal Scottish National Symphony. A noted proponent of contemporary music, he has performed the world premieres of works written for him by George Crumb, Vincent Persichetti, Gunther Schuller, Samuel Adler, Francis Routh, Jianjun He, and many others. He has performed solo recitals in London, Dublin, Glasgow, Berlin, Cologne, Munich, Moscow, St. Petersburg, Prague, Warsaw, Bucharest, Milan, Madrid, Helsinki, Rio de Janeiro, Saõ Paulo, Havana, Beijing, Hong Kong, Taipei, Tokyo, Sydney, Auckland, Toronto, Ottawa, and throughout the United States.

Jacob has recorded over 120 works for solo piano as well as piano and orchestra, including his critically acclaimed series of albums featuring the complete piano music of Samuel Barber and George Crumb and the major works of Béla Bartók. Fanfare Magazine recently devoted a feature article to his series of albums for New Ariel Recordings entitled Contemporary American Eclectic Music for the Piano. Additionally, he has made radio recordings for Radio Warsaw, Radio Prague, and Brazil National Radio, as well as a series of recordings of American music for the BBC. Among his many honors and awards, he was the first American pianist to receive the Commemorative Medal from the Beijing Central Conservatory, the first American pianist in over 50 years to perform as piano soloist with the Cuban National Symphony, and he recently received Artist of the Year Award from the International New Music Consortium at New York University for his work as pianist, composer, and educator.



Release Date: October 14, 2016
Catalog Number: AR0002
21st Century
This exquisitely produced album embodies the beautiful art whose creation has been enabled by the newly opened cultural exchange between the United States and Cuba. Through a collection of intriguing compositions by American and American-based composers, INTERSECTIONS showcases the talents of Cuban musicians in a variety of large ensemble and chamber settings. Moreover, the pieces in the album’s contents are replete with symbols that touch on the promise of this new beginning in American-Cuban relations, and suggest some of the darkness that preceded it.

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